Showing posts with label Sketching Advise. Show all posts
Showing posts with label Sketching Advise. Show all posts

Saturday, May 11, 2013

Hands & Feet

I must have a hundred drawings of my own hands and feet.  Like the frighteningly vast inventory of self-portraits that every artist has stashed away, my visible appendages make up one of the largest sub-categories in my sketchbook themes, due to their always being available.  

Like most aspiring artists, I found them to be awkward and mysterious subjects well into high school--and you can tell by all the mitten-handed characters inexplicably standing in water or tall grass from back then.  (Well, no you can't, because I won't ever publish them online, although there's a guy running around somewhere in Georgia with one of my handless girls tattooed on his side...) 














Anyway, I got over it.  I actually kind of love them.  They're so expressive, lyrical, telling little stories like Hawaiian hula dancers, grounding the figure and giving it weight and life.  When you think about it, they might be the most familiar objects in our lives, so there's really no excuse not to get them right.
      
I guess I should try drawing other people's hands and feet more.  Baby and kid hands are especially troublesome when you're used to doing long narrow ones like mine.  I had a job a couple years ago doing a print ad that focused on a kid's hands, and they came out looking a bit stiff--totally copied from a photo.  (Try getting a kid to hold their hands still for 5 minutes!)




I was definitely life-guarding when I drew this.






But I'd imagine after doing them a bunch more times, I'd get the hang of it.  (See my soap box about how talent is phooey and everything comes down to practice--wait, I haven't written about that yet.  Well, now you have that to look forward to.)

Thursday, May 2, 2013

Sketching from Photos


I scanned a few sketches I did from photos of familiar subjects--kids I worked with for at least a year (and my cat), so I knew their personalities.  They illustrate how helpful it is to have some experience with your portrait subjects.  I tend not to notice the common drawing-from-a-photo issues (the tell-tale "stiffness" for instance)  if I actually know the person.                                                                                                                             So I definitely advocate getting to know someone a little before doing their portrait (or taking the artist out for coffee if you're having your portrait done.)  Snapping your own photos is not only helpful for finding the perfect composition and lighting that you're after, it's also a good excuse to spend some time interacting.                                                                                                   

I was commissioned to do a portrait of a pair of kids one time.  The mom wanted it to be a surprise for the dad, so she didn't want me to come over to meet the kiddos. She gave me 4 or 5 photos of each kid, including some taken outside in natural light (because I had specifically asked for that.)  The outdoor shots were taken on a blazingly sunny day, so there were harsh shadows across their faces. Of course, Mom's favorite shots were ones that were taken indoors with a flash.




I never met the kids in person--never watched them run around in the yard or heard them explain their favorite Pokemon character...  The portrait came out...OK.  The foliage was the best part. The client was happy, but I couldn't bring myself to show it to anyone else.  So, I'm never doing it that way again if I can help it.  Insist on face-to-face meetings--that's just good advice for anything, if you think about it.




 

All future portraits that I do on commission will be totally awesome!  There will just be some fine print in my order form under Expenses (if I don't know you): coffee, mini-golf outing, afternoon at the park...or something.
 

Wednesday, July 4, 2012

Sketching in Public

Sketching in public is one of those things that is necessary when you face the following two  realities in your life: 1) You need to sketch, and 2) You have a social life/job/relationship with your community and a desire to leave the house once in a while.  The fun part is trying to reconcile this very personal activity with the fact that there are other people around, either trying to engage with you, or trying to go about their business and not necessarily wanting to be models.  Unless you're lucky enough to have a sketching buddy, you might find yourself playing the role of that weirdo who makes everyone in the group uneasy--not knowing if they can talk to you, move, or whatever. 

People at an outdoor concert, at a random sports bar




The phrase "hiding behind the camera" is sometimes used around photographers.  You don't really get to do that with a sketchbook--your face is highly visible.  People invite themselves to look over your shoulder.  One time in Jacksonville Beach, a particularly friendly construction worker managed to use a seemingly innocent interest to draw me into a lengthy political discussion as I sketched the pier. And I cannot sketch on an airplane without my seat neighbor offering unsolicited comments, sometimes in another language.  While these experiences can be fun and entertaining, they're also distracting when they carry on.  

Airplane Sketch

So I'd just like to make a public service announcement:  If you see someone sketching in public, just pretend they're on a laptop, and act accordingly.  If a person is typing away in a coffee shop, you don't ever get to know what they're doing.  It's obviously important enough, though, that it couldn't wait till they got home.  Or maybe they couldn't stand doing it at home anymore.  They might just be e-mailing their boss, or editing their résumé or updating their blog, or they might be writing the latest teen-zombie-romance novel.  They might be writing about YOU!  You may be burning with curiosity that you can barely control.  But nobody jumps in and tries to get involved.   You just...let them do their thing. 

girl studying outside Starbucks

The difference in people's behavior around a sketchbook, IMO, is that most see it as a "leisure activity".  It doesn't occur to people that artists are actually "working".   To some, who insist that it's so interesting to watch someone draw, this is enough to warrent an interruption.  I doubt that very many poets, composers, novelists or playwrights, upon noticing a stranger peering over their shoulder in public, would say that "flattered" would describe their first reaction.  

Unwitting Models

If sketchbook-talent-voyurism is really how you get your kicks, there are tons of videos of people doing drawing demos on YouTube... 

This is not to say do not ever talk to someone while they sketch--particularly if you know them.  I personally like to listen to a book or chat idly with a friend while working, especially once I'm further into a drawing, after I've made all the brain-intensive compositional decisions, and I'm just filling it out.  I can multitask, there are just some times when I probably shouldn't.

tree in city market, Savannah

The point is we artists NEED to sketch....one way or another, and not just in isolation!  Nobody wants to do business with sunlight-deprived hermits who are near-sighted from running too many Google image searches.  Museums, airports, festivals, and sporting events are all good places to sketch; the crowds are usually big enough or busy enough that people don't notice you too much.

This is as much a reminder to myself as it is advise for aspiring/fellow artists.  

Don't let the attention scare you.  Get out there and sketch already, kids!

Saturday, June 30, 2012

Sketching Whatever's Around

Sometimes you have to sketch whatever happens to be around you.  And this is fine.

streetlight outside my studio
tape
neighborhood garbage cat
break room at my old job
receipts (yeah, I was in retail...selling art supplies)

just the basics